A Danger to Ourselves

The Colombian musician trades her typically fantastical subject matter for an album steeped in the immediacy of desire. The theme may be universal, but her sounds are as thrillingly out there as ever.

Colombian experimental musician Lucrecia Dalt returns with an avant-pop opus that blurs the line between inner turmoil and arthouse horror.

Pop music ages really fast. I mean, you can still easily dance to Rihanna’s ‘Diamonds’ or A-ha’s ‘Take on Me’, but what once sounded radically